The Gazelle
Feb 9, 2026
Trong (Tommy) Nguyen
A moment of unified hope as NYUAD international students reflected upon their experience overcoming instabilities back home from afar.
From Commencement Day Venue to changes to Campus Dirhams, the NYUAD Community Listening session offers information and ambiguity.
Recent atrocities in wartorn Sudan’s el-Fasher alludes to a continuation of the country’s current civil-war violence.
NYUAD Convenience Store has implemented a new Falcons-only policy for buying electronics at the cashier counter or from the ordering machine.
Against a backdrop of violence, instability, and fear back home, international students at NYUAD engaged in different ways to emotionally cope with the limbo they found themselves in.
The iGEM competition brings together cross-disciplinary students on a shared synthetic biology project. iGEM students and instructors share glimpses of the beauty, pain, and power of this 10-month journey.
For international students of NYUAD, facing socio-political instability back home and keeping up with the news from their homeland is a mentally-draining must-do.
As part of NYUAD’s September and October celebration of African theater, the NYUAD Institute held a panel on the contemporary development of this art form, featuring artists and scholars discussing its regional growth.
The play “Dear Children, Sincerely” by the Sri Lankan Stages Theatre Group, produced in collaboration with a Rwandan playwright, finally featured in NYUAD after an 11-year development.
New Yorker rapper Sumaya Nazar’s latest EP 1446 not only showcases an emergent hip hop personality, but also an homage to New York City’s histories with Islam and the African-American community.
The group exhibition of four Palestinian artists, titled Heritage, Memory, and the Body, offers a chance to gaze upon the intricacies of Palestinian culture, resilience and femininity.
Six artworks from Sotheby’s 150 million USD auction were exhibited in Abu Dhabi on October 1 and 2.
A Rwandan-Sri Lankan historical-theater production offers the audience the multidimensionality of silence, and a grotesque truth of repeating histories.