The Gazelle
Feb 9, 2026
Palestinian senior studying psychology and political science in her academic time, and music in her free time. She makes sure she has way more free time than academic time.
Aravind Kumar
Reema El-Kaiali
We’re out! Read about The Strokes’ latest album for the last edition of this music column
An introduction to some short and crisp, genre-bending productions.
From Plato to Bernie, music has always been political.
Refinding the Arts Center through Barzakh Music Festival
The legacy of Palestine lives through stories and acts of remembrance until a future generation is able to make more of their own.
Music, coupled with context and memory, can provide an immense nostalgia that connects with one’s yesterday. Aravind and Reema use tracks from their past to offer us a retrospective experience of music.
Earwormz this week finds themselves at the Dubai festival Grooves on the Grass. With both acts on at the same time and on different stages, they split up and experienced two musical journeys still being developed by the Arab world.
This week in Earwormz, women’s influence in rock ‘n’ roll takes the stage, with Reema looking into how it shaped the genre despite being invisible in music discourse at the same time.
This week we decided to explore how artists use various forms of tension to elicit a physical response to their musical performance.
This edition we write about the tunes we traveled to as we physically moved across the globe for fall break. From the wet sounds of goa-psy to the sandy drums of Egyptian heritage, we try to narrate a score to our trips.
Aravind and Reema takes the reader through a cross-genre listening session with a specific focus on pulse as both the rhythm we inhabit and the musical core of a song.
In the thick of clueless UFC fans and rock junkies alike, this unexpected experience drove us into Red Hot Chili Pepper deep listening session to try and figure out why this feely was so prevalent in our experience.